Words Fail Me

I come from a family full of stage folk.

I’m pretty sure that somewhere on my birth certificate it states that I wasn’t born in a hospital but rather on the jutting apron of a stage.

I was raised flossing my teeth on the grimy ropes of the house curtains. I learned to crawl up on some poorly constructed way over-budget theater catwalk. And I probably believed for years that whomever was hired as the followspot operator for the sun should be readily fired, as he was doing an abominable job whenever I was outside and in need of illumination.

There was the stage, and then there was … well, I heard there was other stuff, but I wasn’t sure what it all was or looked like.

Whether drawing a bow across an instrument shaped like a violin but surely in truth a tortured cat, skipping across eighty-eight keys with the hope and a prayer that some of them will be the right ones, and a few in the right order, or clutching a microphone and praying it can cover the intense alarm on my face as I gaze out over a crowd of hundreds, it didn’t matter that I left my lunch in a bucket backstage before stepping into that lonely pool of light. What mattered was that minutes later I realized that I’d left my heart out on that dais and that I was going to have to go back there to get it.

Because I wanted to do it all over again.

I’m not sure if the real thrill came from the adrenaline rush of standing in front of showgoers and hearing them applaud at the end of the number or the stress release of realizing that I made it through to the end, had not fainted in the middle of my performance, and no one had to rush up on stage and drag my limp body off into the wings.

It was always, always a possibility.

And the thing that created the most mammoth amount of nerve jangling? Going blank.

I’m going to guess that most folks have had this happen to them at least once in their lives. You forget someone’s name, all the facts you’d just crammed into your head the night before for the big test have suddenly vanished, maybe you arrive in a room and think, I’ve walked down into this cobwebbed, basement utility room for … what again?

And the consequences for these blunders can range from annoying to GPA torpedoing.

My vocation blunders were usually on the end of the spectrum marked “cringe-worthy.” That just went with the territory.

But thankfully, there were a boatload of tricks I’d learned over the years, ready to be shelled out at a moment’s notice, if my brain suddenly blew a fuse and all went dark.

Lose the thread in the middle of your fiddle solo? Just “accidentally” knock a peg and lose a string. Then give a nod to one of the guys in the band. They then take over while you just start clapping along and wait for a stage hand to slide you your spare Stradivarius.

Blow the choreography? Quick do the splits. Audiences love the splits. It’s both riveting and unsettling. And throw in some Travolta disco fever hand gestures. Pretty soon one of the other dancers is going to improvisationally pick you up and help pirouette you off the stage and out of the fray.

Forget the lyrics to your song? Point the mic to the audience and scream, “Sing along! Y’all know the words!”

Or step on the microphone’s cord and unplug it—or if it’s cordless, switch it off, and bang it on your hand like the battery’s gone dead. Send up looks of frustration to the sound booth at the back of the theater and shrug apologetically at the crowd.

There’s always something one can do to hide a misstep or mistake, and the more you do it, the more adroitly you grow at gracefully sliding around it.

But … what if the mistake is not you but your audience?

Yeah, sure, that’s a bit meta. But let me explain.

These days I no longer shuffle or sing or fiddle my way across a platform, I simply speak atop of it. I visit schools and libraries as an author determined to inspire middle school and high school kids to leap off the great precipice of possibility, wade through the wretched whirlpool of failure, and trudge down the precarious path of the Hero’s Journey just like their favorite characters.

I also encourage them to erect statues of all their school librarians.

But occasionally you get thrown a curveball you’ve never been thrown before—like arriving to give a talk to a bunch of people who were half the people you thought they’d be—not as in size, rather stature. As in, some of them were still busy forming eyelids and fingernails. One or two of them were definitely going to struggle with my talk mostly because talking was an incredibly fresh activity for them.

How could I deliver a message which was tailored to kids who were already prepping for their SATs when the true audience was still working on their ABCs?

I panicked. And it wasn’t pretty.

There was no mic to sabotage, no instrument to abjectly point to with regret—there wasn’t even a back door. And a back door is crucial if your excuse for not showing up when your name is called is that you heard cries for help out in the alley and rushed to aid the distressed and then rode along in the ambulance to make sure the paramedic had enough blood on hand because you happen to be O negative and the universal blood type.

I stood in front of these tiny preschool and elementary kids as they whirled in circles on their swivel chairs. Extra added bonus? The swivel chairs also had wheels.

My brain raced and squealed in a high-pitched hysteria: How do I rework and reword my ten minute tale of resilience about strong-willed and single-minded NASA scientists who had worked for fifteen years on one Mars rover project only to see a fat chunk of their life’s work come to a hugely crushing end because of some unforeseeable and miniscule error in math calculations?

So … there are these people who built a thing that went up—up to where the stars are, right? And this one thing—which took them a bazillion years to build—just went … boom? Right? Then these people gasped, hit the floor with their knees, ate a lot of ice cream, and then got up and said, “Let’s give her another go, Stanley!” Does that make sense? Cuz that’s what I’m telling you to do too.

Imagine this scenario—just with different subjects—on repeat somewhere about four or five times. Yeah, that was my talk.

I really thought I’d blown it. It was the wrong talk, to the wrong audience, with the right stuff, but the wrong time.

I made a tiny bow of my head and mumbled the end to a smattering of applause from the befuddled librarian and a few parents.

As I was packing up my things to slink out to my car, thinking I could wallow quietly in a pool of my lead balloon bomb, a mother and her small daughter came up to me. “We’d like to buy your book.”

I pulled back. “Really?”

“Yup,” the girl replied. “I’m going to read it … once I learn to read.”

I looked at the mother. “The main character is twice her age.”

“Not for long,” the little girl said.

I thought about my talk’s message of dealing with downfalls. You get in over your head, you make a mistake, you face failure in the eye. It happens. So get up, get going, start again. You go from can’t to can, couldn’t but want to, didn’t but will.

Life is not a stage, life is a series of stages.

This little girl got it. Shined a spotlight on it too. I started applauding, but that came across as a little weird.

So I just did the splits.

~Shelley

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The Grave Danger of Being Silent

“Okay, you’ve got to choose one word. And one word only that will describe you and a representation of your life to be carved on your tombstone.”

I was at a writer’s meeting. And this was one of those wretchedly “fun” exercises we did to stimulate creativity, or imagination, or brain damage.

It was my turn. Everyone looked at me.

“Umm … whisky?

NO! was the general shout from all corners of the circle. Most of these people knew me well enough.

The host looked at me with a full measure of pity. A little bit like how I look at the dog after he’s eaten an entire stolen loaf of bread and he’s all swollen and gassy but still looking for more: pathetically.

“No, not whisky,” the host said in patient tones. “Whisky is something more of your life preference rather than your life portrayal, Shelley.”

Yup. Same look.

“Okay,” I said, determined to get this one right. “Then I choose voice.”

That answer got a woefully polite round of applause.

But the more I thought about it, the more I grew certain that it should have received a standing ovation. Because, in essence, it really has been the central theme threaded throughout my entire life—and every day, it grows more paramount.

In about two weeks, my next book will be published. (The Freemason’s Daughter) (disclaimer: Publicists and marketing departments get super cranky if you do not provide easy links to readers or refuse to say the phrase, “In my new book, The Freemason’s Daughter” as the start to every conversation. And let me tell you, it was a monumental challenge to work that one in with my seventy-four-year-old garbage man whilst handing him one more bag full of cat poop from the litter box.

“There are men in it,” I said lamely. Yeah, he was going to love my young adult novel about a sixteen-year-old Scottish girl.)

Anyway, again, in about two weeks, my next book will be published. I can hear all of you muttering the word finally.

And although this book has all the crucial motifs that appear in every coming of age story—the challenges of youth, friendship, love, relationships with six burly smuggling Scotsmen—the keynote theme that rose above all others was this: Where the hell do I fit in?

Now, granted, the voice that uttered this query at least one time in every chapter classed it up a bit with a lilting, girlish British accent, but it is, beyond a doubt, a central examination that needs answering by the end of the book.

And maybe it does get answered and maybe it doesn’t. I ain’t gonna spoil it for all of you. Especially ol’ Cooter Covington who promised he’d buy the book as long as I somehow managed to have the cat experience a fatal accident before he came back next week. But to find out … (The Freemason’s Daughter).

Funny enough, that question was present in my middle grade contemporary novel, DEAR OPL (Dear Opl – You’re welcome), about a thirteen-year-old American girl suffering from prediabetes and obesity who struggles with loss everywhere in her life except on her body.

Before that, I voiced that question as I made the transition from mandatory mother to partially needed parent to occasionally sought guidance counselor who receives messages like, “I’d like to schedule a major meltdown on Thursday evening after my class on linear algebra. Could you clear your schedule and send me a bucket of chocolate so I can have it there while you talk and I cry?”

My job status was shifting. And I needed to redefine some new position I could find fulfillment within.

And, quirkily enough, before all of that, my actual voice was the focus of my entire life. I got paid to sing. Once or twice I got paid not to sing.

The point is, “voice” has been stamped all over my forty-seven years of life.

Which brings us up to the present and the future—to my love for soothsayers and crystal ball gazers.

Because now, in recent months, voice has become a ubiquitous word. Rare is it a solitary strain, buried beneath the weight of larger, louder bodies that attempt to silence it. Rather now, it is a growing collection, a chorus, a rising refrain.

It is the sound of town hall meetings, the chant of protests, the carefully crafted question in a press corps meeting. It is the debate across the aisle, the conversations in the coffee shop, and the gossip over the garden fence posts.

It is the struggle to parse fact from fiction as myriad voices crow with what they believe to be true—or what they want you to believe as true. It is the concerted effort to eliminate the noise, to brush away the flashy and distracting so that you can uncover the naked, unvarnished reality.

Yes, it does exist.

And when we are able to do that—when we are finally able to hear inside our own heads, we will hear that sound that many of us have spent a lifetime ignoring. Our inner voice. The one that never lies to you. The one that says, Do not go out wearing those pants under any circumstances.

Yeah, that one.

The amazing thing is, is that all of those voices are asking the very same question—that one about inclusivity. Where the hell do I fit in?

We all want our voices to be heard, our words to matter, our existence to count. Whether we’re a president determined to believe we are the greatest, largest, tallest, (insert-superlative-here) guy to draw breath. Or we are the lowly chap who’s still trying to muster up the energy to clap as loudly for that president as we watch him wave from one of his golf courses and we finish the leftovers from last night’s TV dinner.

Forecasting the future is dicey work. Asking the hard questions about that future needs to be done—despite the unwelcoming off the cuff response of an extra tiny pointy finger barking at you to “Be quiet!”

Don’t. Don’t be quiet. Find your voice. Raise it. And use it.

Because I’ve kind of grown fond of the idea of having voice on my tombstone. Otherwise, I will have to resort back to the original epitaph of whisky. Although maybe I’ll spiff it up a tiny bit with that lilting, girlish British accent.

She saw the beauty and necessity of hard liquor.

~Shelley

For the time being, our blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor (NOW FOR HIRE- so do go check out his gallery!)–all from the only pen carved from a human funny bone.

In Good Spirits

I needed help.

Professional help.

It’s a phrase I utter at least a dozen times a day it seems, and not every episode is referring to the fact that shock therapy might be just the thing.

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This time I was searching for answers to questions that did not reveal the meaning of life, or my purpose in the universe, or even advice on how to handle the creepy guy at the grocery store who is always asking if he can hold my melons while I search for apples.

Ah … Security??

No, this time I needed help with my new book. The writing “fiction” part is always so much fun. But the “researching the fiction I just wrote and discovered wouldn’t even be remotely believable” part is always a little hard to choke down.

Best to do them in tandem.

And as my new book takes place in a distillery, and there’s one nearly spitting distance from my house, it would be foolish of me not to immediately take advantage of the expertise within grasp.

So I pleaded my case, called the joint, and set up an interview to make sure that my new manuscript wasn’t going to entirely fit into the genre of fantasy.

Or an oval shaped file under my agent’s desk.

At first I thought Ian Thomas, the new director of operations at the Virginia Distillery Company, was worried about the time—because he was always checking his watch.

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And then I thought for a second that maybe the fellow I was standing across was fairly new to the concept of wristwatches, as when he did look down at it, he stared at it with intense focus for at least four or five seconds.

And then I realized that I was the actual idiot.

Ah. An Apple watch.

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Ian was getting about as many requests for attention as if he’d had a tiny toddler tugging at his pant leg—which, coincidentally, he’ll have in a few short weeks as he’s expecting his first child.

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So perhaps coaxing a fledgling whisky distillery through its beginning years full of growing pains is exactly the kind of training a soon-to-be dad should be having.

If nothing more than to reinforce recognizing the blissful joy of losing consciousness for more than ten minutes in a row.

That, and maybe to discover what a bazillion new parents come to realize during the agonizing teething phase of their tiny tot: whisky can act as a damn fine benumbing agent …

For the parents, of course.

And this man is sitting on a gold mine.

The questions I needed answering were specifically related to the running and operating of a single malt distillery:

How much does each ingredient contribute to the overall end product flavor profile?

How much does the temperature and humidity in your warehouses play a part in the maturation process?

How many times have you tried to roll a full wooden cask of spirit into the back of your car to sneak home and feigned surprise when one of your coworkers discovered you struggling with the back hatch of the trunk?

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Yup. All relevant.

We spent hours walking through the facility, and Ian patiently explained every piece of equipment and component involved in the operation: the gristmill, the mashtuns, the washbacks, and stills. The miles of plumbing, the resourceful recycling, the freshly plowed and planted barley fields, and the mile-long list of government officials he had to converse with on a daily basis in order to make this American malt find its way from barley to bottle—or grain to glass—or field to finally in my hot little hands.

At one point, while talking in the warehouse that securely housed the seven hundred wooden casks snugly hugging their aging spirit, Ian received the equivalent of another toddler tug that needed attention and stepped out of the warehouse while I ecstatically and repeatedly filled both my lungs with as much of the intoxicating, spirit-drenched air as they could hold. And then, profoundly lightheaded from hyperventilating, I suddenly worried that I had inhaled enough of the whisky-dense atmosphere to register as too intoxicated to drive home.

Maybe Ian’s watch would keep him busy whilst I slept off the fumes and stretched out across a few ex-bourbon barrels.

I thought about the last jaunt I’d undertaken researching a book—an afternoon spent questioning an internist about all the effective emetics available in the 18th century. There were no heady, soothing scents of toffee and brown sugar, butterscotch and bananas encapsulating me like a giant embrace from the ancient gods of magical elixirs. Just half a dozen homeopathic textbooks opened to pictures of poisonous plants that could make you puke.

Yeah, this one was turning out to be a lot more fun.

We finished the day with Ian allowing me to further question him in hopes that he could provide answers for the stickiest parts of the book—things I was struggling with and that were critical to the book’s authenticity and success: the biology, the chemistry, the plot.

His answers were enlightening. And clarified that there were actually a solid handful of hugely capable, talented, and ingenious people who worked alongside him to craft this outstanding spirit that holds so much promise.

And surprisingly, if not somewhat disappointingly, not one of them were alchemists or felt the need to invoke a series of sorcerous spells to turn this water into wine—er … whisky.

Apparently Gareth Moore,

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Chairman and CEO of Virginia’s newest spiritus frumenti emporium, really knows how to hire his nine-to-fivers and reviews of their work are about as glowing as the cheeks of those who imbibe in their product.

“Okay,” I said to Ian back in his office, “just in case this post goes viral and the only way you can fend off the sudden surge of paparazzi at the distillery is by locking yourself in the waste management warehouse and hiding behind a tank full of lye and caustic soda, is there anything else the world should know about Ian Thomas, young whisky maker hailing from Tennessee?”

“Ah,” he said, glancing at his wrist again and staring at it intensely for about four seconds, “Well,” he chuckled self-consciously. “I like casual strolls along the beach, I’m a good husband, I love my family and Virginia … and I’m working hard to make a world class whisky.”

I don’t doubt for one second all these things are true. Ian is a busy guy with a full life that’s only going to get fuller in two shakes of a lamb’s tail. A new dad. A new home. A new job. Yeah, he’s got his fingers in a lot of pots.

Copper ones to be precise.

And I think the world of ‘world class whiskies” is lucky to have it so.

~Shelley

HEADS UP Y’ALL: Robin has his annual calendar of curiously clever cartoons for sale starting now. If you’re hoping to take a peek a tiny bit farther into his unfathomable brain, then I suggest you head on over and order yours tout de suite! They won’t last!  Robingott.com

For the time being, our blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

Publishing; It Takes a Village (and some groveling)

Recently I had to write an acknowledgment page for one of my books.

You know what they are, right? They’re usually found at the back of the opus—the part so many folks gloss right over as the writing is mostly filled with names and one line quips about what these names did to contribute to the publishing process, and how life, the universe, and all of mankind could not have been birthed and evolved into what it is today without these sage and wondrous mortals.

Not terribly interesting for the average Joe—unless, of course, you happen to be one of those sage and wondrous mortals.

But in writing my page of “thanks yous,” I can easily see just how out of hand one of these notes of gratitude can become.

It’s critical that one includes the upper echelon of those who ultimately gave your book bound words a chance to be seen.

For instance, you must absolutely never forget to flatten yourself to the floor with a giant thanks to your editor—el supremo persona, le meilleur, un eroe—whatever language you choose to describe one of the most erudite, patient, resourceful, and good looking people you’ve ever met. Even if you’ve never “met”.

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Without your editor you are toast.

Maybe less than toast.

You’re just one slice of bland bread among dozens stacked in front and behind you and all the way down the shelf from side to side.

Your editor lifts you out of the endless mass and puts a fire beneath your feet—or whatever body part is molded to the anchor that’s producing your fairly vapid, stale, lifeless literary efforts. They then carefully tease out the aromatic notes, the visually enticing imagery, and the tantalizing flavors of your story while expertly identifying the exact dressing you need, applying a perfect layer of topping that will make the meat of you shine.

Yes, one must thank one’s editor profusely, and all your lucky stars if you have a truly divine one. And then eat, because just writing about editors and their skills makes one unreasonably hungry.

Your agent—should you have one of those as well—is also on the list for high-priority praise. They are the sleuth who, when first presented with your writing, siphoned out the thread of ability that wove itself in and out of the tapestry of clunky words you put down on paper. They are the individual who gets a first look glance at your work before bravely putting their name to an email that is then cast widely out into the pool of editors who are fishing for something new the public is hungry to bite on.

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Or they are the one who picks up the tab at a gulp and go lunch where they pitch your work to those same bleary-eyed editors in hopes of convincing them to take on the task of giving up another night’s sleep in favor of reading one hundred thousand of your best and shiniest words.

Don’t forget the copy editors. These folks examine your one hundred thousand words, parse them, and then reconstruct them into more appropriate linguistic elements that will have true value to the reader. They will leave you dumbstruck with awe to realize that there are individuals out there in the world who truly understand all the principles and rudiments of grammar. They should be given many basketfuls of cookies for their efforts and patience.

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The marketing department, the art department, the line editors, the assistant editors, and publicists—where does one begin? Each of them, inundated with so much work and so little recognition, really should have a small shrine erected in their names.

So I have.

I’ve built a large altar in a separate room in my house—a temple where I’ve placed magic stones, a dozen candles, tiny false gods, myriad pagan symbols, and any other sorcerous talisman I can collect for my ritualistic moments of devotion and homage. It is a room filled with smoky incense and funneled in melodramatic and lamenting bagpipe music. It is the best I can come up with to replace what I believe they all probably truly deserve over my feeble prostrations: a cruise.

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I just don’t make enough money to make that happen. Sorry.

But you really should see the altar I’ve set up for you guys. It’s amazing.

And scares the hell out of the cat.

And lastly are the people who truly know you. Like—know you know you. The ones who had to read all those diabolically dreadful first drafts. The folks who see you drinking three-day old coffee and eating mac and cheese that you made for an end of school potluck last month. The family members who have had to learn to wash their own laundry, make their own lunches, write their own college essays, and attend their own parent-teacher conferences because you were “just finishing that last sentence,” or “editing that final paragraph,” or passed out on your keyboard.

Speaking on behalf of many writers, we know who you all are, and are so incredibly surprised to look up and discover that not only are you not in the house where we were certain we last spotted you, but are now living in another, entirely different city from us and have taken all of our pots and pans with you.

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We thank you too. Except for the theft of our housewares.

Lastly, as the orchestra music swells over our words, we thank our fifth-grade teachers, or librarians, or fairy godmothers. It’s that one individual who told us we had promise, we had potential, we had possibility.

It’s that one special person who started this whole domino effect of thanks and recognition: the one who gave us that first nod of acknowledgment.

So to all those sage and wondrous mortals—whether they see you as a product or a parent, family or a friend—the thanks are endless and the gratitude unfathomable.

Now it’s probably time to acknowledge the fact that there is no food in the house and the cat litter seriously needs to be addressed. Life goes on—even after The End.

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~Shelley

For the time being, our blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

Class (And Glass) Warfare

Growing up in Wisconsin, my mother’s most prolific advice, which was usually offered up at least once a day during what felt like the presence of nine months’ worth of winter per year, was this: Don’t forget to dress in layers.

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If memory serves, these words were likely uttered as much a reminder to herself, during the span of one full decade, where the poor woman tried to live with a biologically unbalanced hormonal heating and cooling unit housed within her own body, as to the rest of us, pointing to the fact that we lived on the perimeter of the frozen tundra. You were usually either outside, where one could occasionally entertain yourself by spitting icicles waiting for the morning school bus, or inside, where woodstoves were cranking out such an impressive amount of heat, most people’s homes could easily double as a sweat lodge.

But for my mom, I do believe the idea of recalibrating her settings to some sort of acceptable functional state was as elusive a finding as locating the Holy Grail—it’s mythological, tons of movies have been written about it, and some of the fight scenes still have us doubling over with laughter when recalling them.

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Back to the idea of layers.

It really had me thinking lately about how complex we, as human beings, truly are. Depending upon the situation, it’s not unlikely that we rarely show—or know—who we claim to be. And uncovering that which is camouflaged can either be as mouth-wateringly exciting as digging into that triple decker hot fudge banoffee pie parfait, or as painful as peeling back an onion, where the whole endeavor, although necessary to accomplish that life-sustaining ritual we call dinner, will have you weeping and bitter over the caustic exercise.

To illustrate, as per my usual methods, I will use examples from all that’s within arm’s (and eye’s and ear’s) reach around me.

I’m a writer.

I live in (or rather get my rations from) a town where you cannot swing a dead cat without bumping into another resident’s published book.

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You cannot order a cup of coffee at the counter without hearing someone behind you utter the phrase, “Well, with my first novel …” And the introductory expression, “My therapist says,” has long been replaced with its shinier version, “My critique group pointed out …”

I think you get my point.

We are a community of book-bosomed logophiles whose end-of-year financial ledgers reveal we’ve contributed the same number of pennies to the local coffeehouse for liquid sustenance as we have to the library for our overdue book fines.

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But there are writers and then there are writers.

I have heard my town’s writerly residents humorously described as usually belonging to one of two strata of the classic French pastry, the Napoleon, or the mille-feuille. You’re either like the puff pastry—where you’re flaky and half-cracked, and people make a wide berth of you because you’re temperamental and difficult to work with, or you’re the pastry cream custard—where you’re likely too rich for your own good, you find yourself spread out too thinly, and everyone wants a lick of you.

Together, we are the elements that make one kickass memorable mouthful, alone, we are broken down into the ingredients that most physicians warn you to stay clear of in order to maintain optimum health.

My town loves to separate itself into these definitive, identifying tiers. Do you do yoga or yoga?

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Translation: Do you attend a class where the Native American flute music is often jarringly interrupted by the high-pitched feedback loop of a plethora of hyper-sensitive hearing aids and everyone breathes a sigh of relief no one threw a hip during the hour? Or do you attend a class where the temperature on the room’s thermostat is a topic for debate for the Intergovernmental Panel as to whether it may be a contributing factor to climate change and people leave the studio utterly amazed at just how much anger they’ve been storing in their thighs?

Here’s another one. Do you eat health food or do you eat health food? Translation: Do you shop at Whole Foods, or do you buy half your food from the myriad closet-sized natural food stores in town and forage the rest of your meals from within the cracks of concrete parking lots and roadside ditches—and of course only harvest the edible, invasive species that likely deplete the earth from its over-reaped holistic nutrients because we have to feed the earth as well as ourselves?

It can be tough to be “authentic” in this community.

Of course, there’s also the level of success one has achieved that stridently separates the massive cluster of word-slingers in my village, and that was made indisputably evident the last time I hauled my empties down to the local recycling center a few days ago. It can be a sobering and illuminating realization of where exactly you stand in the accomplishment stratification when elbow to elbow with someone whose prosperous wordsmithing has them dumping out a couple of wooden crates full of bottles previously filled with Dom Perignon and Louis Roederer Cristal whilst I am unloading a cardboard box full of empty Two Buck Chuck.

It probably wouldn’t sting so badly if my neighbor’s raised eyebrow of acknowledgment didn’t also silently smirk and say, “How’s the book comin’, kid?”

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Makes me think I should probably take my mom’s sage advice and keep a few extra sweaters on hand. They may be useful to pass out along with the myriad icy stares I give in return to that unspoken question.

~Shelley

For the time being, our blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

Carved in Stone: the Joys of Choosing an Epitaph

I have uttered one phrase so many times within the last few years it has become as familiar to me as my own name, except it’s usually followed by a giant sigh or a wide-eyed look of panic. It is:

I have a deadline.

Currently, it rattles off the tongue as regularly as one might say, “I have a cold,” or “We need milk,” or “I didn’t mind giving that second TED talk, but the third one was a bit of a bear.”

You get my point.

It is mundanely routine.

I think most of us are well acquainted with the concept and, in fact, find some form of it or another weaving itself throughout myriad ordinary situations in our lives.

Whether you’ve got a fixed time to show up for work, or class, or the meeting, or you’ve got only so many minutes before the bus pulls away from the curb, or the plane pulls its wheels from the runway, deadlines surround us all.

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The homework is due, the test will begin, the doors will be locked—just a few more of the many self-imposed timed boundaries we find ourselves floating within. And I’m pretty sure most of us have experienced the star-bursting, lung exploding moments where we realize we have fallen below the waterline and are now drowning in The Great Sea of Overdue.

Overdue_May16

My workspace is small. Purposefully so. Simply to induce that same calming feeling that miraculously occurs in newborn infants when you swaddle those suckers up like a human cannoli. There is no space for flailing, injurious arms, no room for every assignment to be on display, and not enough expanse to encourage the lying down beneath my desk for a quick mid-day kip or the body collapsing posture of giving up altogether.

In fact, much of the space beneath my desk is occupied by assignments that can be ignored until next month and will serve me better acting in the position of foot ottoman.

Paper is everywhere. Attached to the papers are brightly colored sticky notes with due dates on them.

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Calendars are taped to the walls. Deadlines are highlighted in neon colors or sometimes old stickers from when my children were much younger and thought that a decal from the bank or the grocery store was akin to finding a twenty dollar bill on the sidewalk. Most of them say things like eat your vegetables, or put a penny in your piggy bank and have nothing to do with the D-day for the copy editor of my latest manuscript. But still, I think I’d rather see a picture of a head of broccoli

Brocolli_May16

than a picture of the copy editor with a bubble coming out of her mouth saying, “There is so much wrong here I don’t know where to begin.”

Editor_May16

Nuff said.

Some deadlines are not hard deadlines, but usually, only the ones that do not apply to my efforts. People with a lot more heft to their job descriptions get to blur the edges of their dates, whereas mine tend to show up with blaring sirens, a photographer to witness my failure, and enough guilt to ensure my therapist will be able to upgrade his seat on his next flight for the cruise I also paid for.

One of these days, I’d like to know what it feels like to be someone like Mother Nature, who, when I hold up my calendar to the sky and reveal the thirty days of time elapsed since her agreed upon announcement of Spring, will simply blow me a raspberry and create yet another hard freeze that shrivels even the meritorious efforts of the hardiest of daffodils.

Raspberry_may16

I assume once you get a taste of that kind of power, it’s pretty impossible to imagine handing it back. Perhaps it’s best I stay on this side of the fence. For here is where I make my tiny miracles happen. And I’m serious about the fact that some divine intervention is needed, because usually finishing some deadline assignment within a manuscript does not come without some serious hours on my knees, looking skyward, and promising to give all future royalties–should there be any–to some worthy cause.

I’m guessing that will end up being the electric company, but if there’s any leftover it will go into the fund to replace my continually dwindling supply of sticky notes and neon colored highlighters.

I suppose if I’m going to be honest, I have found a couple of areas where deadlines are flexible. Booking that annual dentist appointment—because he’s expensive and visits are time-consuming, plus there’s one area in my mouth where I can still chew food and not feel pain, so things must not be that bad. Visiting my optometrist—because ditto to the first two parts, plus I can still drive just fine as long as I cover my left eye and don’t get distracted by the unpredictable arrival of tunnel vision in the right one. And the replacement of cat litter. One just simply needs to recalibrate one’s definition of breathable air.

I’m pretty sure that due dates and deadlines will be the status quo for an indefinite amount of time—at least for me, that is. If things go the way I hope they do for the remainder of my life, I will continue to pump out books that will be not only life-fulfilling but life-sustaining.

In fact, I’d probably die a happy woman and consider my life well-lived if my tombstone’s epitaph read:

Shelley Sackier

Deadline

Deadline

Deadline

Flatline

 

~Shelley

For the time being, our blog is closed to comments, but if you enjoyed it, maybe pass it on to someone else. Email it, Facebook it, or print it out and make new wallpaper for the bathroom. If it moves you, show it some love and share. Cheers!

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.

Mark My Words–Even the Confusing Ones

I promise you.

You promise me.

That is the bare basics of a contract.

We both sign on the line that’s either too short, too narrow or too good to be true, promising we’ll each do our thing and come out smelling like roses on the other end of it.

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Well, that’s what’s supposed to happen, right?

Although the Chinese Zodiac has determined that this is the year of the sheep, I, personally, would take issue with this. This is not my year of the sheep or the goat, or any other cloven foot animal. It is the year of the treaty. It is the year in which I have spent a good portion of my time, hunched over paperwork with a magnifying glass, or peering onto my monitor and growing ever closer all with the hopes that if I can move near enough to the words, they will magically make sense with the intensity of my gaze.

Wrong.

They will make sense only if we stuck to something like a common language.

Or if I backed up two decades and decided to go to law school.

Or if maybe Plato, in all his soft and flowy robed glory was sitting beside me and explaining each Latin-based line as we moseyed through them.

Some contracts are wonderfully exciting—like the one I’m scanning with a fine-toothed comb right now—the one that says, We, publishers of great stories big and small, want your book, and then a second to follow the first, and quite possibly a third one to boot.

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These pieces of paper are exactly the kind of documents that make authors realize they are actually gymnasts because of all the back flips and flying Dutchman leaps of joy that ensue. But sometimes you discover that you’re going to have to become an extraordinarily flexible gymnast—like Cirque du Soleil Chinese acrobat flexible because of the Silly Putty stretching you’ve done to come to an agreement.

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And most authors I know are so excited to get published they would be willing to exchange their bones for rubber bands if it would launch their books onto the other side of obscure.

It helps to have a clever agent who speaks contract law, or studied Latin, or can easily recall her past life when she lived in Ancient Rome and clerked for Cicero. So, thanks, Jennifer. Super glad you’ve got my back.

Other contracts will keep you awake at night with a backlit calculator under your pillow for easy access.

Refinancing a mortgage. Need I say more?

Okay, I will.

You own a home. Correction: you live in a home the bank owns. The bank has you sign a contract that states: If you want to live in this home and pretend it belongs to you, you can pay us x amount of dollars for y amount of time.

Now this would all work out fine and dandy if they’d all just leave you alone until you either run out of money, pay off the debt, or run away to open a lobster kabob food truck on the island of Saint Kitts.

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Instead, before the ink has a chance to dry, you’ve already received three offers from a few other financial institutions who announce they’ve got a slightly better deal—at least on the first page of the glossy brochure and as long as you don’t read the fine print. And I think we’ve all been in plenty of situations where because we didn’t read every word of the fine print, we realize something unpleasant is about to hit the fan and we immediately start scouting eBay for that ‘lobkabob lorry.’

A few contracts are meant to make your life considerably easier. The tax accountant who you visit once a year and beg to make sense out of your refrigerator-sized box of receipts. A box which happens to be balancing a plate of homemade cookies on top—cookies you hope will convey the depth of your appreciation.

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Or your health insurance agent who sends you a card on Christmas and your birthday with a fridge magnet and a 500 mg vitamin C tablet taped to the inside of it.

And how about your automobile insurance agency who sends you a monthly email in recognition of payment saying, “Thank you. Now don’t drink and drive. In fact, just don’t drive period. It’s a beautiful day. Go for a walk.”

There are also the everyday ordinary contracts that have become such a part of our mindless existence we don’t see them as contracts any longer.

The library—you give me a snazzy, plastic card and all the books I could possibly shove into six bags each week so that I may read them all for free and in return I will tell you: What? I’m not late with that book. What do you mean I owe twenty-five cents for an overdue book? I KNOW I handed that story in last week. I’m POSITIVE this is your clerical mistake and it’s sitting right now on your shelves—just go take a look … oh, wait. Here it is.

The garbage collector—you come every week on Thursdays to pick up my wretched refuse and do with it what you will, and once a month I’ll send you a check for thirty dollars. Fingers crossed I remember to do it and the check doesn’t bounce.

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The internet provider—I will hemorrhage money your way for the promise of magical world wide connection beyond my wildest dreams, you will occasionally come through with that promise, but not in any reliable fashion, and I will regularly scream bloody murder at those who work within the company, imagining painful, fiery deaths for you all, but in truth have absolutely no recourse.

So there we have it. A cross-section snapshot of my ink and paper maelstrom thus far this year—not a farm animal in sight.

And umm … hey, kids? Head’s up: I may or may not have just agreed to give my new publisher both of your first babies by signing this linguistic puzzle. Time will tell. But I give you my word I won’t do anything like that again.

I promise.

~Shelley

*ROBIN GOTT’s NEW POST* (click) 

Don’t forget to check out what we’re cookin’ in the Scullery and what we all talked about down in the pub. Plus, you can see more of Robin Gott‘s humor–all from the only pen carved from a human funny bone.